A ruin is something that has to be seen.
On the persistence of the sphere and circle as a visual motif in science fiction cinema.
“I don’t think I’ve seen anything like it…”
It would be a mistake to consider the work of Vernon Ah Kee as purely political in motivation.
“The present is being dismal, so instead of keeping a temporality where the present and the past influence the future, we want to switch things around and have the future influence the present.”
“PEOPLE OF PERTH… I COME WITH A MESSAGE FROM THE FUTURE – THE ART WORLD IS AWESOME AND EVERYTHING IS FINE…”
The saying goes that the only difference between a radical and a conservative is 10 years.
I’ll sit in a chair while you can sit on the couch, and so we can begin our art therapy session.
One of the lessons of the Archibald prize is that it’s impervious to criticism.
Cindy Sherman’s work isn’t as orthodox in its theory or approach as its historical categorisation might suggest – it’s far more organically alive, exploring the grotesque and the uncanny, the monstrously feminine, and the comedic worlds of haute couture.