The logic of making a show like the APT9 seems to be that “we do it this way because this is the way we do it.”
For her ambitious documentary project, Begg uses a few different approaches to tell the story…
I was born in 1962, which meant that, by the time I was seven years old, the United States had … More
Whoever decided to put Bob Ross’s TV series on Netflix deserves a promotion and a raise.
Can we say then that Australian photography is significantly different from trends and developments elsewhere?
Spaces create stories. In the late 1970s, Sydney’s underground walkways and parking stations were the places where you could experience the stark, modernist spaces of the era’s science fiction movies.
The tension between traditional portraits and works that sit at the limits of what most people consider a portrait is the friction that fires up the whole engine of the prize.
A ruin is something that has to be seen.
It would be a mistake to consider the work of Vernon Ah Kee as purely political in motivation.
“The present is being dismal, so instead of keeping a temporality where the present and the past influence the future, we want to switch things around and have the future influence the present.”